Agnew's Mind He's got a long journey ahead of him.

14Feb/120

Lillyhammer: Sopranos in a Foreign Land

    by Mike Agnew Jr.

So I was jogging on the treadmill on Sunday at the gym, crowbar.  Since I had free reign of the place I switched the TV over to G4 and watched one of my favorite shows: Attack of the Show.  To my surprise the host Kevin Pereira was interviewing StevenVan Zandt.

I figured it was for his upcoming world tour with Bruce Springsteen.  It wasn't.  Apparently Steven has been working a new show, Lilyhammer, which puts a wiseguy from New York into Lilhammer, Norway.  This show is extra special because it is the first show produced by Netflix and the first to be shown exclusively on the service.  This is like a welcome hug to those like myself who have cut the cable of cable TV.

I don't want to give away too much of the show, but, I have to say, after watching the first episode, I'm hooked.  If you loved the Sopranos, you will love this show.  I make this promise because it's everything I liked from the Sopranos.  It's a lot like the episode where Paulie and Christopher get lost in the woods while hunting down the Russian.  It's funny, light-hearted, and you end up cheering on Steven's character in almost every scene.  I was skeptical when I finished watching the interview but now I'm kicking myself for not watching this show sooner.  The show is 8 episodes long and they are all available now.  That's right.  No waiting week after week.  I'm going to go watch the second episode now with some more pinot nior.  All I need now is a turtleneck and some ca-bah-coal and mut-sa-rel.

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Filed under: Agnew Vortex, TV No Comments
13Feb/120

Movie Reviews: Just (In Time) Berlake

    by Mike Agnew Jr.

When I hear about a movie like this I picture a boardroom. I see four people with black ties, black suits, and black square frame glasses on one side. (Think Agents from the Matrix) On the other side I man who has not slept in 15 days. Papers crumbled around him. Pen marks all over his fingers. His head in his hands. And then, slowly, he looks up tears streaming down his face. "Time is money, Mr. Anderson." Suddenly a smile begins to break. He opens his mouth. "Ok. Ok. You say Time is Money. Well what if....what if in the future....time was the actual currency? And when you ran out of time.....you died." The four silent executives look at eat other. One of them leans forward and presses a big green button that says "Make Movie" on it and the tearful man stumbles out of the office with papers flying out of his overpacked briefcase. As he leaves, he utters, "You won't be sorry."

In Time, or I'm Mortal as it's called in other countries, is this exact premise. It's the near future. Everyone is genetically altered to age to 25 and then never grow older. Okay so everyone can be supermodels in the movie, not bad. Once they reach 25, however, they have one year to live. This is signified by the embedded Timex Indiglo timer built into their arms. Time from these forearm watches can be exchanged with a twist of the wrist. If your wrist is up you are giving time and if your wrist is down you are taking time. Enter crime bosses, high-stake gambling, the time police, and even time shares or as we know them, loans. The movie has a lot of potential and the concept would be interesting....if they explained it. How did it get this way? Why 25? Why one year? And why did someone think it was such a good idea to put everyones bank accounts on their arms? I mean let's just take the time part out of it. Let's just say your bank account balance is tied to your arm. Someone can steal from you with a shake of the hand and not just some of your money, but all of it. This is where the movie lost me at least. It tries to force feed emotion and lessons on mortality down your throat but it never feels genuine. They make jokes about how everyone is 25 but never realy tap into how weird and mentally taxing it would be. Imagine you, your mom, and your daughter are all the same age. It's creepy. Justin "I'm good on Saturday Night Live" Timberlake does a good job filling the lead role but the environment he is in just feels like a bad dream from which he can't wake. This is a solid intercontinental flight with 10 hours to kill and I already watched the Tom Hanks movie thriller. Don't own it. Don't rent it. Just let it come to you. In Time gets a C- for a fun idea that probably should have stayed on the SciFi channel. It would have got a C if the leading lady was hot.  C-

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29Jan/120

Movie Reviews: Drive

    by Mike Agnew Jr.

When I first saw the trailer for this movie I thought, "Oh look they made Transporter 4 without Handsome Rob." The opening scene of the movie fulfilled my prophecy. The Drive(r), played by Ryan I'm-fun-to-look-at Gosling, explains his ground rules, meets the clunky, disorganized robbers, and then does what he does best, drives. However, after this opening sequence, the film leaves the Transporter genre and enters down a road of its own; pun intended. Unlike the Transporter movies, of which I do love the first in the series, Drive dishes out chases scenes that are believable and obey the physics of a car. I should also point out that the movie is not one long chase scene *cough*Ronin*cough*, but actually digs pretty deep with a story that will keep your significant other guessing the outcome through most of the movie. A good chunk of this movie is spent in silence as Ryan I-am-so-good-looking-that-I-can-break-up-with-Rachel-McAdams Gosling looks off into the distance, smiles, looks back, stops smiling, and then turns again to reveal another heart-warming smil.....I'm sorry what were we talking about. Oh right, the silence.  Yes, the Earth is to Water as the Dialogue of Drive is to Silence. But it works.  And, actually, it's a bit fun. It makes me want to try it out in real life. When someone asks me something, I will just look at them and smile without acknowledging anything they just said and see what they do. The silent treatment leaves you to hanging on Ryan Your-Girlfriend-thinks-about-me-more-than-she-thinks-about-you Gosling's every syllable.  All in all it was fun movie with the title font of a Lethal Weapon, the music of a foreign french film, and the graphic fight scenes a la the Departed. Drive gets a B+ for it's unexpected twists, turns, and frequent lane changes.

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16Jan/120

Movie Reviews: A Story of Two Adams

    by Mike Agnew Jr.

It's been a while since I've written anything on Agnew's Mind. I guess the Jon and Agnew show has been a good enough to get most things off my chest. This MLK Jr. weekend has been nice and relaxing. I've been cooking and cleaning and been the perfect house wife for myself. In between the chores I have treated myself to a few films. The two I watched today were Real Steel and 50/50.


REAL STEEL

Real Steel, in case you can't tell from the movie poster, is about boxing robots. The best part about this movie is that it never tries to be something it's not, at least until the end, but I will get to that later. If you have seen the trailer for this movie then you already know the ending. Basically Wolverine is wagering has been who owes people a lot of money. He used to date Kate from LOST but she moved on, or so it seems, since he started gambling his life away. Enter little Anakin Skywalker, ok so it's not the same kid but I swear they cloned him. The young Jedi has a knack for training robots and so the two pair up to train an older generation boxing robot named, Atom. (I thought the robots name was Adam until they spelled it later in the movie almost making a point that everyone watching also thought his name was Adam.) Fill in a montage here and there and throw in some bonding moments for Logan and Annie and you have a big chunk of the movie. One thing I think needed to be addressed was the fact that these robots could malfunction and crush their human counterparts. Most of the movie I waited for the robot's eyes to change from blue to red and go into destruction mode. When it didn't happen I found myself wishing it would. The main villains are never really developed so who knows why they do what they do. Then you get to the end of the movie which is the only part that resembles a Rocky movie because it's taken straight from Rocky 1 and 4.  But something is missing.  The emotion. They fill in the emotion in this drawn out slow motion moment where everyone sheds a single tear. It's weak. So weak that I dropped the movie down to a C- just because of that scene alone. That and the fact that little Annie lets out a Phantom Menace "Yahooo" at the end. My recommendation would be to wait for some little cousin or friend's kid to ask you to watch this movie. I think with a kid's perspective the movie would be much more enjoyable. Wolverine with ROBOTS!  If you watch this alone and have seen a boxing movie before be prepared to experience some deja vu. A sequel is planned for 2014.  Get ready for robots running in the snow.  C-

50/50

Fifty-Fifty is a movie about Seth Rogan's friend, Adam, who gets diagnosed with cancer.  I remember seeing the trailer for this movie.  It had pre-preview segment with Seth, Adam, and Joseph Gordon-Levitt( 3rd Rock, Inception) who plays Adam in the movie.  This part was so memorable because (the real) Adam finishs the clip with, "Watch the movie and see if I live or die."  This is the tone throughout the movie; a serious life challenge surrounded by comedic light-heartedness.  This is exactly how I like my movies, emotional and real.  If you have seen (500) days of summer, this movie is somewhat similar.  I won't tell you what happens in the end but I will tell you a few things.  You will cry.  You will laugh.  You will say out loud, "Oh what a b*tch!" at one point.  You will stand up and cheer at another.  Be ready for many realistic life lessons.  It's not a downer of a movie but it is a movie about cancer and anyone who has been close to the disease will probably be vouching for the validity of many of the scenes.  By the end of this movie my face hurt from laughing and crying so often.  Some of the Seth Rogan jokes are quite raunchy but they actually lighten up as the movie progresses.  I give it an A- because it's just a really great movie.  I may watch it again at a later time.  Until then, it will be on my shelf next toa copy of  My Life.  I suggest watching this with someone who you don't mind crying in front of on a night where you can watch without laptop and cell phone distractions. A-

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13Jan/111

a Goat, a Train, and a Jim Carrey Sundae

    by Mike Agnew Jr.

Sunday was a great day, but spending 5 hours in the freezing cold watching the Birds lose left me with a frozen face , sniffly nose, and a broken heart.  I phoned it in for work on Monday and got home around 6.  I got a chicken finger platter from Hatboro pizza and returned to my abode to stuff face.  I had almost no appetite and was teetering on the brink of giving in to complete sickness.  I ate half the dinner and washed it down with 6 Oreos and milk, the ultimate cure-all.  I go with 6 because it is the most I can fit between my thumb and my pinky finger without spilling the milk glass resting in my palm.  By 8 o'clock, I had taken a swig of Nyquil and plopped on my bed.  I was about half way through "House of the Flying Daggers" when I lost my battle with the medicine and passed out.  The dream that followed was up to par with those that have come before and again Oreos seemed to be the trigger.

The dream started off in airport terminal that was shaped like a giant doughnut with an inner ring and an outer ring.  The outer ring had large glass windows from ceiling to floor about 2 stories high.  There were chairs and benches along the windows and every so often a door with a terminal sign above it.   The inner ring was mainly a kitchen.  If you remember the kitchen from Jurassic Park or The Shining that was what it looked like.  All the lights were shut off but there was still an eerie blue glow that reflected off of all the stainless steel.  There were pots, pans,  spoons, and ladles hanging from hooks above the stoves and counters, just waiting to swing off and make a loud crashing noise.  Throughout the dream I was making my way back and forth between the inner and outer circles.  I had generic friends following along with me that kept changing like a Sopranos Season Six dream.  Chances are if you are reading this, you were in the dream at some point.  This dream was also full of extras, soulless stewardesses and business men walking around with their tug-along luggage.  Everything was normal until I came across my first goat.  He was standing in the kitchen and tied up with a rope to the handle of the stove.  I walked up and untied him.  "Come on let's get you out of this airport Mister goat."  He didn't say anything.  But then again goats don't talk so that's good I guess.  I let him out of the kitchen and into the outer ring where he started walking in the endless loop with the rest of the business men, unnoticed.  Once he left my site things pick up pace and it almost became one of those dreams where the FBI would be hunting me down and Mulder and Scully would make a cameo.  I was the guy releasing goats into the terminal and I could not be stopped.  My team, now in a semi-sprint weaving in and out the loops were in search of the remaining goats.  We found the second goat tied to one of the stools of the airport bar because even in my dreams airports have at least one bar to break up the repetition.  The thirda and final goat was found back in the kitchen where we had found the first one.  We could hear bah-ing coming from one of the ovens.  This goat was a much smaller than the others and was shaking like it was scared.  Even after I picked it up it was still shivering and bah-ing uncontrollably. Here is an artist's rendition of what I looked like carrying the baby goat. "We need to get him to the others, his mom and dad."  We raced out to the terminal and the other two goats were standing there waiting for use.  They laid down and formed a perfect circle with their bodies.  Once they took this form they were motionless.  I placed the baby goat in the ring and it began to glow and change into more of a half human/half goat baby.  Suddenly all the extras noticed the baby-goat and ran over to take pictures.  The crowd began to swell and I was getting pushed back as everyone fought to get closer to the ring.  Flashbulbs from cameras were going off everywhere and I became disoriented.  I tripped backwards over someone's carry-on luggage and just before I hit the ground I woke up in my bed.

It was 4AM and I was already feeling quite rested.  I decided to get a glass of water as my mouth had dried out.  I made my way to the kitchen with my eyes still shut like a mole leaving his burrow.  The sound of the Brita pouring caused me to pit-stop in the bathroom.  I tried to drinking the water at the same pace as I was relieving myself.  I remember cracking myself up by saying "Circle of Life"...which doesn't make any sense now of course.  I made my way back to the bedroom.  I pulled the covers back and tried to drop as fast I could into the pillow as to make an indent that would cradle my head.  It felt like my entire body had turned to sand and spread evenly across the bed.  I was instantly taken back into another dream.

I was face down in the snow.  I pushed myself up and saw that I was in the front yard of a house set far back in the woods.  The driveway of the house turned into the a road that went off into the distance.  Everything was quiet.  I decided that I needed to fix up the single story house since it looked as if it was covered in vines.  I found a small pair of clippers in my pocket and started to trim the vines.  They fell quickly to the ground and lost their shape.  They became almost like fabric and folding in on themselves as they floated down to the snow.   After a bit of trimming I stopped and thought that what I was doing wasn't right at all.  These weren't vines, these were train tracks.  Something clicked in my head.  I scanned the yard for a power source.  There, at the end of the driveway, was a lamppost.  The bottom of the lamppost was covered with about a foot of snow.  I brushed the snow away to find an extension cord going into a plug  with a switch on it that was set to off.  I flicked the switch and the house lit up with Christmas lights.    There was even a train that ran around the house on lit-up tracks.  But there was gap in the tracks, a gap I had cut out.  I jolted back to the spot of I had trimmed and snatched up the pile of fabrics.  I could hear the train whistling in the back yard.  It would be in the front shortly and I had to replace the tracks before it got here.  I frantically tried to reconnect the fabric and make it light again.  As I did parts of the fabric would become rigid and light up while other parts flickered a dim light but then remain dark.  The train had turned the corner of the house and was approaching the gap.  The horn of the train bellowed like a tractor trailer downshifting and laying on the brakes.  The crash was immanent and the headlight on the front of the train was blinding me.  I struggled to connect the last lengths of fabric to the track.  The sound of the train grew louder and the headlight made everything white.  I moved my hands away at the moment the train hit mended rails and closed my eyes.

The nose of the train slowly died off and become chatter from a large crowd and music from an old-time piano.  I opened my eyes and the white light I had seen slowly adjusted to a bunch of individual lights surrounded by a rich wood color.  I was sitting in a leather booth and my sisters, Kate and Maura, were across from me.  We were in an Ice Cream Parlor.  It was fancy place with a high ceiling.  It was all one large room with old fashioned tile floors that made little designs everywhere.  Tables and chairs were in the main areas and booths ran along the wall.  We were sitting on the right side of the room where the booths shared the wall with the main bar.  This bar was where all the ice cream cones and sundaes were made.  The bar itself was made of dark hand-carved wood.  To place an order you had to walk up a staircase at the end of the room which lead to balcony located directly above our booth.   We placed our orders in this fashion.  I got chocolate ice cream with chocolate syrup, traditional but also the best way to evaluate a place you have never been to before.  We returned to our booth and waited to be called to the bar.  Just then the lights stated to dim and the power went out, everything went dark , the crowd quieted, and the piano went silent.  Moments later the lights came back on and the piano and chatter resumed.    I began to look around and noticed that there was a new person in the room.  A cop.  He was up at the bar knocking softly on the wood.  His knock steadily increased force until he was pounding on the bar making all of the glass jump and spill whipped cream on the bar.  Once again the crowd quieted and the piano stopped playing.  Everyone turned to get a glimpse of this new stranger.  He stopped and turned and revealed himself to be none other than Jim Carey.  Everyone cheered as he threw his cap up in the air.  He made his way through the crowd in a very Phanatic fashion, pausing to make a silly face or get in a picture which he would ruin at the last second.  He walked past our booth and sat down at the one next to ours but on the far side so he was still facing us.  I could seem him over Maura's shoulder.  She was extremely excited and kept looking over her shoulder to sneak a peek.  Each time he would take a break from the conversation in his booth to make a face at her.  She would turn around smiling each time.  Eventually the lights in the room dimmed and they began to play a trailer for his new movie, "Love Grande" or something like that.  The poster for the movie was now all over the place and it looked like a large platter of nachos eaten away in the middle so words could get put in.  I didn't really pay attention to the trailer but it was about some goofy love story in a Chili's restaurant between two of the servers.  After the trailer he made his way to the back room, next to the bar,  where he was going to be for pictures and autographs.  Then we heard our names get called so we headed up to the bar.  The girl behind the bar asked me what I ordered again. "Chocolate with Chocolate syrup."  She grabbed a glass and scooped three scoops of chocolate into it.  She turned back to me and asked, "Anything else?"   I stared and her with a really face on. "Chocolate Syrup."  At this point I was keeping one eye on her and one eye on the door  to the other room which could open at any second.  She started to wander around looking for the spout labeled chocolate.  I started to do a hurry UP dance as to keep myself from jumping across the counter and doing it myself.  Finally she placed my sundae on the bar and, at the same time, the door to the room opened.  I sprinted the length of the bar and skidded to a halt at the doorway where a bouncer had now replaced the door.  I was first in line with Maura and Kate right behind me.  In my head I pictured they had gotten there by run-blocking for me so most of the people behind us were winded or injured with comical black eyes and missing teeth.  The bouncer, wearing a yellow "staff" shirt,  notified me that ice cream was not permitted in the room.  I had to drop my newly made sundae in the big black trash bag at the entrance.  Damn.  So Maura, Kate and I enter the room empty handed.  Jim had changed out of the police uniform and was now in a long tuxedo coat with a penguin tail on it and t-shirt like looked like an undershirt with marker drawings on it.  On his chest it had a crown and simply said "King" graffiti style.  Maura pointed out that this shirt was from Man on the Moon from the scene where he fought with Jerry "the King" Lawler.  I paid it little mind and stood for a pose with him.  He was much taller than I had expected and I had trouble getting my arm around him.  I mentioned this and he responded, "It's the boots."  He now had big army boots on.  "And you don't have any shoes on."  Low and behold I didn't have any shoes on.  So I went up on my tippy-toes to match his height and it worked.  I actually gained almost a foot in height and we both laughed at the change.  We struck a pose with our arms up and out to the crowd and our chins up like they were our subjects.  Kate was taking the picture but couldn't get the camera to work.  Come on.  She tried again.  Nothing.  She tried again and said the camera is just not taking it even though she is hitting the button.  Can't hold the pose for much longer.  Finally the flash goes off and I wake up in my bed.  I look over at the clock and it's 7:29AM right before my alarm.  I congratulate my internal clock on it's victory and wait for the alarm.  I reach over to shut it off but notice that there is something in my hand, feels like a piece of paper.  I immediately jump up and rub my eyes.   Before I take a look I already know what it is.

It's a picture of me and Jim Carey.

Jim and Me

Haha what if that really happened?

It would be even better if Jim Carrey woke up this morning with a picture of me in his hand.

Thanks again Oreos.

My Gateway to Dreams

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Filed under: Agnew Vortex, Dreams 1 Comment
11Jan/118

It’s Beginning To Look A Lot Like Philly Again….

    by Matt

I thought there would be at least a 5 year grace period after witnessing my first championship in my sports lifetime. I was just about 1 year old when the Sixers won, but that doesn't count. (Jon was 9) However, after witnessing 3 gut-wrenching losses (all on our home turf), that hollow feeling is back. The feeling that has molded this town into jaded, pessimist, cursed sports fans.

Was it a goal? Yes, it was.

It all started in June. When the Blackhawks ended the Flyers improbable run, not only did it give Chicago another title in my lifetime (6 with the Bulls, a Super Bowl, and 1 WS with the White Sox), but it also re-introduced us to the eerie silence. You know it. When you are holding on for hope. I KNOW that puck didn't go in. Then why are the Blackhawks celebrating? They just won the Cup. Wait. Maybe it's not really over. Maybe they need to review it. Just saw the replay. Nope. It's over. The eerie silence is usually accompined by the sounds of a few opposing team's fans and the players yelling. That's when I look at the crowd. The shock is plastered on their faces. Just standing there..... staring.

Ugh, what a terrible feeling. I remember what this is like again. After the Phillies run, we aren't used it as much.  Well, at least we had the Phillies to look forward to especially after the amazing H20 run down the stretch AND we had the best record in baseball. All we have to do is get by the upstart Reds and the streaky Giants to get back to the Series for the 3rd straight year......

Wow

So Ryan Howard struck out...looking... and a series of  missing timely hitting that also showed up in the Reds series sealed the deal. There was no way we could lose Game 6 AND 7 AT HOME, right? There it was again. That eerie silence. I was in the crowd and heard it first-hand. It was a hush. Nobody said anything....just stared. During the walk down the steps, people were saying, "Now NOBODY is going to watch the World Series. Good luck baseball." "Great World Series it's going be..." and more sarcastic, dejected comments were heard all around. We watched the lowly Giants celebrate of the field of the defending 2 time NL Champs. This feeling was beginning to become familiar once again ESPECIALLY after the Phillies lost.

Alright. We got Cliff Lee. Everything's going to be fine. We shocked the world. We have the best rotation in the history of the game now AND the Eagles came out of nowhere to become Super Bowl contenders lead by Mike Vick. Or did they?

Again

That eerie silence was heard again for the third straight season finale on our turf again when Vick threw that hurried pass to Riley Cooper.

I know people go on feelings. We got everything going for us. The Phils.... yeah, but Cliff Lee doesn't buy timely hitting. Okay, the Flyers. Okay, the Eagles are going to be in the mix at least even if they don't improve any of the O-line or defense, which they will. But feelings don't mean anything to me. I go by reality and results. And the reality is.....

We've heard that eerie silence three straight seasons now......

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9Dec/101

Memories of Michael Jack Schmidt

    by Mike Agnew Jr.

Graig's "Ford's Effort for Naught"

A few weeks ago, Amanda asked me to write an email to her friend Graig Kreindler, who creates the most amazing baseball paintings I have ever seen.  You can find his work on Facebook and GraigKreindler.com.  He was planning to do a Mike Schmidt painting but wanted to get a feeling of what he meant to Philly fans since Graig himself is from New York.  The following is the e-mail I sent him.  Please feel free to add your own Schmidt comments to this post and I will be sure to point Graig to them so he can get the full picture.

Hi Graig,

Amanda asked me a while back to think about Mike Schmidt and send you an email of what I thought.  Well I finally sat down today and I thought about it.

I have 2 of this one.

It's tough.  When I was growing up Mike Schmidt was a giant.  Baseball was Mike Schmidt.  He was the one card that was never traded amongst my friends.  I had a plaque of him up on my wall as a kid.  In the (signed) picture he was taking batting practice.  Underneath the picture there was a gold plaque that said "Mike Schmidt: Greatest Third Basemen Ever".  I remember reading that as I would stress over homework and think, "how do you become the greatest ever of something?"  It was just a really powerful title.

I also remember the Mike Schmidt Book from the school library.  It was probably the most beaten up book in the library next to the Guiness Book.  It was one of those in-a-series books so as you looked down the shelf it would read Wayne Gretzky, Reggie Jackson, Bo Jackson, Michael Jordan... etc.   I remember doing a biography paper of him in the second grade.  The most interesting fact I found was that he was struck by lightning at 18.  Now that I think back though, can I really trust that book?

My next memory was the day he retired. I must have been 6 or 7.   I was playing in the driveway on a stupid under-sized Nerf skateboard.  My dad had the garage radio tuned to some rock station.  It was just an old receiver tied into one massive speaker that had seen better days.  They broke the news in between songs:

"Today, Mike Schmidt announced his retirement...."

Everything went quiet.  They might as well have said he died in a plane crash.  I ran inside the house and told my dad, who was watching tv.  I waited for the same disbelief but my dad just said, "I heard".  I was in shock that no one in my house felt the blow.  I went up to my room and looked at the plaque and thought, "What happens to baseball now?  Are they just going to keep playing without him?"  It broke my heart and I would not feel that same pain again until the strike of '94.

My final memory was when I was bit older, 10 or 11.  My dad and I had started going to Sunday games.  It was our thing -- wake up early and brew some tea on the stove.  Throw it in a water cooler full of ice, grab our hats, and head out.  We'd take Lincoln Drive into Philly.  It's a very windy back road that leads you out to the expressway.  There was a small stone bridge that we would travel under and everytime we would drive underneath it I'd roll down the window and yell, "ECHO!"  (I still yell it when I drive under the Echo Bridge to this day... for luck)  We'd get down to the Vet around the time batting practice was finishing up.  We'd stop at 10th Ave and get two Italian hoagies.  We would get to our seats and spill oil and mayo all over the program as we tried to keep score inning after inning.  Sometimes we would get up and walk around the concourse.  One day we were walking by the bar in the stadium.  I guess it was like the Diamond Club Lounge that Citizen's Bank has, or at least I assume they do.  Anyway, as we walked past my dad grabbed me, "Mike, Mike! Look it's Mike Schmidt."  I tuned and saw my idol sitting at the bar sipping a beer, watching the game on a tv.  I froze.  My dad pushed me toward the bar entrance.  I could feel my Chuck Taylors sliding on the smoothed concrete.  "Go up and say hi."  I swallowed and started towards him.  I felt like I was walking in wet sand.  Every step closer was harder to take.  About 10 feet away, my feet gave up.  I decided to try using my voice to close the gap.  "Hi, Mr Schmidt."  His eyes were still set in the game.  I remember looking at his face and thinking how old and beat up it looked.  "Huh-Hi Mr. Schmidt."  This time he heard me.  He turned in his stool and gave me a smile and wave.  I smiled and waved back.  At least, I think I did.  I turned and ran back to my dad.  I had a spring in my step for the rest of the day -- the day a legend smiled at me.

My stories are a bit winded but thats how I tell memories.  I mean, you can look up the stats online to see how great he was but these are my memories.  Hope it is what you are looking for.

Thanks,

Mike

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27Sep/102

Goodbye HDMI

    by Mike Agnew Jr.

Technology has always been an elusive being.  Much like a child throwing a temper tantrum in an isle of Toys R Us, we try to hold on but it always manages to slip through our fingers.  When the big HD craze came around, it was the first real innovation in television.  First, you bought an HDTV and you were the cool guy on your block for all of 5 minutes because the Hendersons next door just got a Widescreen HD.  Then it became a matter of size.  People went for "the bigger the better".  Then you had to upgrade to 1080I, then 720P, then 1080P, then LCD and Plasma and LED and Backlighting and True Color and pixels per square inch and lumens and...

Who cares?  really.  Most of you won't see the difference.  And with 3D TVs, I couldn't care less.  I see it as a gimmick and the wrong direction for TV to go.  But the other day I was reading an article about a new standard that will replace the HDMI cable you dropped $30 bucks at Best Buy for even though it's a $3 cable.

This new standard is nothing to laugh at. In fact, it will probably make most of our parents feel like grandparents as they try to understand.  The new standard is called HDBase_T.  It runs on the ethernet cable you already own. (Cat5e/6)

"Agnew, whats so great about that?"

Well, I will tell you.  It not only provides video but power to your HD TV.  And not just one video but all your video, all your audio and even your internet connection over one cable.  That means the back of your beautifully polished, wafer-thin  TV will run on one cable.  No more rats nests or conduits in the walls.   Just a simple Ethernet cable you already own.  Pretty cool.

Find out more at http://www.hdbaset.org/

And if you though HD was at the peak, I heard SuperHD comes out next year.  HA.

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